Bio

My work delves into the liminal space between my imagination and the subject matter, unpacking my interior landscape through an ecological lens in the contemporary context. This space, between the mutational entanglement of human-non-human relations, allows me to unveil the enigmatic and eerie feeling in my work. Living in the era of the Anthropocene, I am deeply committed to fostering my conscious awareness of the sustainable and resilience towards a place in nature, in which I am constantly immersed. 

My work is a deeply personal journey, a tapestry of emotional and sensory experiences that reveal my innermost being and the memories underpinned in the material process. It delves into the Anthropocene phenomenon and the biomorphic world of ‘thing’, confronting the profound sense of loss that comes with it. It’s an attempt to adapt to the full cycle of biological life, understanding the meaning of dormancy, germination, growth and decay. My creative process, which begins with site investigation and walking as a ritual, unpacks a sense of absence through material exploration and intuitive painting. 

During the process, I incorporate research-making methods such as life drawings and mark-making, hand weaving, and biomaterial study. I am passionate about seeking organic mind sources and living materials that resonate with life. Through my research in Epping Forest, I aim to not only engage the audience but also to empower them with a conscious appreciation of the concept of cyclical time and environmental suitability. It is a constant reminder of the artist’s crucial role and encourages the audience to take an active responsibility for our ecosystem.